By Ricardo Romo

Malaquias Montoya, this week’s cover artist, is one of the most recognized and accomplished Chicano artists of his generation. Montoya served in the U.S.Marines in the mid 1960s and used his G.I. Benefits to enroll at UC Berkeley. Between the years 1968 to 1970, UC Berkeley and most California campuses were engaged in anti-war protests as well as struggles over the lack of inclusion of students of color.

During his college days at UC Berkeley, Montoya emerged as an important figure in the development of Chicano poster art. Montoya had previously worked in the print industry in San Jose, California. In San Jose he learned silk screen techniques that he would utilize and introduce to the UC Berkeley art department students.

The late 1960s was a time of much social unrest in America. Montoya and fellow activists utilized posters to educate, inform and motivate the public about their cause. A major social justice cause for many urban students was the plight of farm workers. Student activists rallied behind Cesar Chavez and his fledgling UFW union. Montoya contributed to the UFW by producing a vast amount of posters in support of higher wages, better working conditions and union recognition.

When it came to social justice and workers’ rights Montoya worked as a volunteer producing poster for free. Montoya had migrated as a child with his family to harvest the crops of California’s Central Valley. Montoya also joined other artists in muralism. Some of the first Chicano murals in the United States had their origin in the San Francisco Bay Area. Montoya excelled in the arts and eventually taught printmaking and painting in Oakland and UC Davis.

Montoya recently retired from the Chicana and Chicano Studies Department at UC Davis where he taught for many years. His department wrote: “A man of great political and artistic principles, he believes that art should be directed to the broadest possible audiences, including those who do not frequent commercial galleries. Montoya has elected to make the world his art gallery.”

Today, Montoya lives in Elmira, a small farming community in northern California and remains very active in the arts. His UC Davis colleagues commented that there is “no ambiguity in Montoya’s works, as the art form is used to convey the artists political message as well as his human concerns. His words are art and his art is poetry.”

(Photos from Montoya  Family)